Dreamsploitation's "Continue to sleep, if only dreaming" is a traffic jam of auditory commotion. The driving horn arrangement begins hitting every red light within a two second span, slamming on the breaks and succinctly pounding upon the car horn. A robust pushing and pulling, presumably a keyboard, follows a triumphant trumpet gathering split second momentum. Slam, the driver is forced to hit the breaks. The car horn blinks sixteen times over; finally the iridescent red changes to green. The locomotive rolls into a blissful state of cruise control.A lullaby enters, almost as if cajoling the driver into a subdued, contemplative state. The tinkering of piano keys resembles suburban homes and manicured lawns. Just beyond these city limits an expansive prairie sky comes into view. All seems grandiose in contrast to the mathematical maze of concrete trailing behind. A sense of melodic freedom sifts throughout the airy notes. A climbing bass line recalls the magnitude of towers and buildings–a diorama of urbanization shrinks in the rear view mirror.
Freedom is an open road, a sleeper soundly sleeping. The heroic notes of a brass instrument soar. The bass line threatens to overwhelm. Abruptly the daydream cracks, traffic once again interrupts. The driver has fallen asleep at the wheel, a relentless car horn throbs, clashes and blurs into the memory of what could be. The dream is revisited, sounds collide, a kaleidoscope bursts open. With the final note everything dissolves, reality returns, all is lost.
Blazevic, Chuck. The Soft Focus Sound of Today. From Here to There Records., 2008.
